I’m an International Emmy Award-winning Producer and fluent Spanish speaker with a passion for bringing compelling stories to life. My experience spans directing, story producing, development and the edit, with projects that have taken me across the UK and around the world.

I recently directed and edit produced a 1x60 episode of BB... Read More

I’m an International Emmy Award-winning Producer and fluent Spanish speaker with a passion for bringing compelling stories to life. My experience spans directing, story producing, development and the edit, with projects that have taken me across the UK and around the world.

I recently directed and edit produced a 1x60 episode of BBC2/PBS history series, Lucy Worsley Investigates and am currently a Development Producer at BBC Studios - Specialist Factual. 

Development sees me dive enthusiastically into a wide range of specialist factual subjects - building ideas in brainstorms, crafting attention-grabbing toplines and creating richly developed pitch decks that bring characters and stories to life on the page.

I’ve worked on shoots in China and Spain for BBC2’s Amazing Hotels: Life Beyond the Lobby, following a role as Producer on the scripted drama-doc series Royal Kill List (Sky History), set in the seventeenth century. As Story Producer on the feature documentary Queen of Speed (Sky Documentaries), I was part of the team that won an International Emmy for Outstanding Sports Documentary. I also produced drama and GFX for the first series of the acclaimed history drama-doc boxset Rise of the Nazis (BBC2).

My career has given me the chance to film in a wide range of locations - UK studios and drama sets in Lithuania, Romania and Morocco, as well as documentary shoots in the UK, Ecuador, China, Poland, India and Spain. Along the way, I’ve developed strong skills in writing high-quality shooting scripts and treatments, pitching ideas and gaining access to hard-to-reach people, organisations and locations. I bring solid research skills, a love of uncovering powerful stories, and experience in archive sourcing and fair dealing.

In post-production, I’ve worked as an edit producer, supported edits, collaborated closely with GFX companies and archive producers. I’m also confident with budget oversight and team coordination.
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